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Flanger

A sweeping, jet-like modulation effect created by mixing your signal with a very short, continuously varying copy of itself.

What it does

The Flanger uses a very short delay (typically under 10 ms) and modulates the delay time with a slow oscillation. This creates a series of peaks and notches in the frequency response (called a comb filter) that sweeps up and down the frequency spectrum. The result is the recognisable "jet swoosh" or "through a hollow metal tube" sound — from subtle warmth to dramatic, dramatic sweeps. Adding Feedback intensifies the peaks and notches, making the effect more metallic and resonant.

Parameters

ParameterRangeDefaultWhat it does
Rate0.05–5 Hz0.25 HzSpeed of the modulation sweep. Slow Rate = long, gradual sweep; fast Rate = rapid wobble. Most useful flanger sounds range from 0.1–1 Hz
Depth0–5 ms2 msHow much the delay time changes with each sweep cycle. More Depth = a wider, more dramatic sweep
Delay0.1–5 ms1 msThe base delay time (the shortest point in the sweep cycle). Shorter Delay = tighter, more chorus-like; longer Delay = more flanger character
Feedback0–95%20%Feeds the flanged signal back on itself, intensifying the peaks and notches. Low Feedback = subtle sweep; high Feedback = aggressive, resonant metallic sweep
Mix0–100%50%Blends the flanged (wet) signal with the dry. 50% gives the classic flanger balance

Tips

  • Slow Rate + higher Feedback gives the classic jet-engine flanger sweep — iconic on electric guitar rhythm parts.
  • Low Feedback and slow Rate produces a more subtle, chorus-adjacent thickening that is less immediately recognisable as flanger.
  • Flanger tends to work better at low to moderate gain — high-gain tones can interact with the effect in unpredictable ways. Use it on clean and crunch settings for the clearest effect.
  • The Depth and Feedback controls are the two most characterful knobs — experiment with these first after setting Rate.
  • Place flanger after the amp and cabinet in the chain.